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施托克豪

施托克豪

施托克豪

施托克豪

1

Just how special was not readily apparent to those who saw him , in his old Beethoven frock -coat or his shapeless orange cardigan .

当人们看到施托克豪森穿着一身陈旧的贝多芬礼服大衣或形状怪异的橙色开襟羊毛衫时，他们是无法轻易地发觉他有多么特别古怪。

2

It was not just that he thought "intensive measuring and counting " the key to music 's future ; Stravinsky had got there long before him .

这也不是因为施托克豪森认为 “精深的测定与计算 ”是决定音乐未来的关键，斯特拉文斯基在他之前就已经参透这些。

3

He was studying then in Paris with Messiaen and Milhaud, but preferred to hole up in studios playing with tapes and sine waves .

那时，施托克豪森在法国巴黎与梅西安和大流士•米约一起学习，但他更喜爱自己独自待在录音棚研究录音带与正弦波。

4

It was not just that he had decided tonality was dead ; Schoenberg's 12-note serialism had already made dissonance routine .

这并不是因为他决定了音调的消逝，而是施托克豪森的十二音阶体系已经让人感到不协和音的寻常。

5

After the 1970s , Stockhausen seemed to disappear up his own cul-de-sac of experimental noise .

二十世纪七十年代后，施托克豪森似乎消失在实验噪音研究的死胡同尽头。

6

In "Gruppen" (1955-57) he used three orchestral , playing different notes at different tempi from different directions .

在 1955-57年的作品 Gruppen 中，施托克豪森使用了三个管弦乐团，从不同的角度以不同的节奏演奏不同的音符。

7

Karlheinz Stockhausen, seeker of new sounds , died on December 5th, aged 79

卡尔赫因兹•施托克豪森，新声音的追寻者，逝世于 2007年12月5日，享年 79 岁

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