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李渔

李渔李渔

李渔

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Li Yu and Aina Jushi is the best writer In the short vernacular fiction novel writing In the Qing Dynasty.
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Narrating as the Centre: the New Discussion on Li Yu' "Spoken Parts in Traditional Opera"
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The purpose of Li Yu's writing was to raise a laugh and to eliminate worries.
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Li Rusong, Li Yu'father, who went out for business, maybe engaged in trade in Rugao, so Li Yu was born there.
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A Review of Li Yu's "Aesthetics Practiced in Living"
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Ling Mengchu and Li Yu are all masters of NiHuaBen.
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Li Yu's Comic Creating and its Cause of Comic Characteristics
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Exploring the Causation of Li Yu's Commercial Pursuit in the Theatrical Creation
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A Preliminary Research into the Drama Directing Theories of Li Yu
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The Differences between the plays and stories of Li Yu
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On the Influence of Drama Upon Li yu's Narration in His Novels
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Irony: LI Yu's suspicious spirit--On the ironic atmosphere in LI Yu's short stories
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Research on Li Yu's opera theory and audience orientation in opera writing
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On the Inheritance of Li Yu's Fiction and Theory from Feng Meng Long and Ling Meng Chu
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